1.{796}5.12.2025 Unconventional Graphic Design Tools workshop c e n t r e f o r t e x t m a r g i n s t e k s t i n m a r g i n a a l i e n k e s k u s {558}{655}{659}{661}{661}{659} {562}{665}{670}{672}{665}{664}{655}{664} AXM-{5}0102 hosted by a project of {1003}{1005}{1064}{1045}{1018}{1005} {1006}{1015}{1018} {1020}{1005}{1024}{1020} {1013}{1001}{1018}{1007}{1009}{1014}{1019} 2. Name one thing that annoys you about Adobe software 1. What is your name and what do you study? CHALLENGE: Make two spreads for a collective zine, WITHOUT using any Adobe software.

Rules:

  1. It should include both textual content and illustration/graphics
  2. Content is up for you to decide. It could be a visually rich exploration/explosion of many different tools, or it could be a more controlled and conventional-looking written essay about the topic of this course, or something else — or anything in between, or anything else that inspires you.
  3. The PDF file format is open source so it's not considered "Adobe software" anymore. You can also use Adobe Acrobat.
  4. Avoid Adobe-like software, like Affinity, GIMP, Inkscape, Scribus or Photopea, unless it's to specifically use some feature not found in Adobe software.
  5. Use at least 6 different tools in total, in some way or another.
  6. Write down the name, url, and maker (if know) of every tool you use in the final output. Send it over to Heikki along with your final output as high-resolution images, or PDFs.

Specs:

  1. Colors in RGB or CMYK
  2. Page size A5 (so make four A5's)
  3. Don't put stuff close to page edges / bleed, because the fore-edge will be uncut.

Printing will happen at Printlab on Friday morning.

Deadiline: Thursday at 16:00
Adobe Decaying Affinity Linear Decaying Semi-circular Counter Semi-circular Fibonacci Plotted If we apply the same approach: {844} Questioning {844} what a simple spiral tool could (and should) do to every aspect {1272} convention {1272} assumption of design software ... {3073}{3058}{3051}{3070} {3052}{3055}{3053}{3065}{3063}{3055}{3069} {3066}{3065}{3069}{3069}{3059}{3052}{3062}{3055}{3215} It is a question on how we spend our time on this earth, doing stuff, working, taking care, etc.

The tendency toward conformism, toward lazily adapting to standard procedures easily exploited by computers, can influence, far more profoundly than one might imagine, both the design of the objects around us and, ultimately, collective aesthetic taste itself. From this perspective, rather than expanding the scope for creativity and invention, computers can drastically narrow the range of available models by subordinating the desired aesthetic result to a standard procedure.

Franco Ghione, in introduction to "Curve Policentriche" by Felice Ragazzo (machine translated):
The lathe, for example, makes it easy to produce surfaces of revolution This tool naturally imposes certain easily achievable forms

[...] the tool that allows one to draw a line on the computer is a kind of "virtual lathe" that is easy to use and that, in a certain sense, "dictates the forms." This is the so-called pen tool found in the main and most widely used professional drawing software, based on the theory of Bézier curves.

Franco Ghione, in introduction to "Curve Policentriche" by Felice Ragazzo (machine translated):
curve drawing

Beyond cubic and quadratic Béziers, there's rational Bézier, higher-degree Bézier, and HyperBezier. The B-spline family includes uniform and non-uniform B-splines, NURBS, and T-splines. Hermite-type interpolating splines include Hermite splines, Ferguson curves, cardinal splines, Catmull-Rom splines (and the centripetal variant), and Kochanek-Bartels / TCB splines. Cubic splines can have various boundary conditions: natural, clamped, not-a-knot, relaxed end, cyclic, and anti-cyclic. Shape-preserving interpolants include Akima splines, Steffen splines, and monotone cubic interpolation. Subdivision approaches include Chaikin curves, Lane-Riesenfeld, four-point subdivision, and Dyn-Levin-Gregory. For curvature-continuous or "fair" curves there are clothoids (Euler spirals / Cornu spirals), elastica, minimum energy curves, minimum variation curves, log-aesthetic curves, Spiro curves, κ-curves, and Pythagorean hodograph curves. Arc-based constructions include biarcs, arc splines, polycentric arcs, and conic splines. Motion planning uses Dubins curves and Reeds-Shepp curves. Type design has its own traditions with Hobby splines, Ikarus curves, and superellipses (Lamé curves). And there are always the general algebraic forms: conic sections, rational quadratics, power basis polynomials, and Coons curves. On top of that, periodic functions like sine, square, sawtooth, and triangle waves, statistical distributions like Gaussian / bell curves and sigmoid curves, and classical named curves like the Witch of Agnesi, lemniscate, cardioid, limaçon, spirals (Archimedean, logarithmic, Fermat), catenaries, cycloids, epicycloids, hypocycloids, Lissajous curves, rhodonea / rose curves, and so on can be combined, stacked and used as effectors to modify the curve representations.