1.{796}5.12.2025 Unconventional Graphic Design Tools workshop c e n t r e f o r t e x t m a r g i n s t e k s t i n m a r g i n a a l i e n k e s k u s {558}{655}{659}{661}{661}{659} {562}{665}{670}{672}{665}{664}{655}{664} AXM-{5}0102 hosted by a project of {1003}{1005}{1064}{1045}{1018}{1005} {1006}{1015}{1018} {1020}{1005}{1024}{1020} {1013}{1001}{1018}{1007}{1009}{1014}{1019} 2. Name one thing that annoys you about Adobe software 1. What is your name and what do you study? CHALLENGE: Make two spreads for a collective zine, WITHOUT using any Adobe software.

Rules:

  1. Use at least 4 different tools in total, in some way or another.
  2. It should include both textual content and images/illustration/graphics. Can be either analog, digital or a combination.
  3. Avoid defaulting to conventional ways of making. Avoid Adobe-like software, like Affinity, GIMP, Inkscape, Scribus or Photopea, unless it's to specifically use some niche feature not found in Adobe software.
  4. Content is whatever visual matter comes out of the expeiments you do. Focus on the process, not the outcome. Have fun with it. Don't overthink the outcome.
  5. When putting everything together, you can layout the content in any way you like. This you can do old-school by printing stuff out and assembling by hand, then scanning. If you do this, you can clean up the end result in Affinity/some other Adobe-like program. If you insist on doing everything digital, you can use Affinity to layout the visual matter if you can't find anything else to do that. But it's important to explore alternative ways of doing design first, and not immediately reach for the Adobe-like software out of habit / comfort.
  6. A pedantic sidenote: The PDF file format is open source so it's not considered "Adobe software" anymore. You can also use Adobe Acrobat to view PDF files.
  7. Write down the name, url, and maker (if know) of every tool you use in the final output. Send the list to Heikki along with your preferred name (can be an artist name if you don't want your real name on the publication), final output as high-resolution images, or PDFs.

Specs:

  1. Colors in RGB or CMYK
  2. Page size A5 (so make four A5's OR two landscape A4 spreads)
  3. Don't put stuff close to page edges / bleed, because the fore-edge will be uncut.

Printing will happen at Printlab on Friday morning.

Deadiline: Thursday at 16:00
What is a book? (Letterpress)

The result of a process of binding printed sheets in order

What is a printed sheet?

The result of a process of pressing an inked form onto paper

Tools: press, tympan, packing, gauge pins, paper, etc.

What is an inked form?

The result of a process of applying ink to the form's surface

Tools: ink, ink slab, ink knife, tampon or rollers, etc.

What is a form?

The result of a process of locking type and spacing into a chase

Tools: chase, quoins, quoin key, furniture, reglets, planer, mallet, etc.

What is set type?

The result of a process of composing type and spacing into lines

Tools: type case, composing stick, galley, bodkin, tweezers, line gauge, miterer, slug cutter, type saw, etc.

What is a line of type?

The result of a process of selecting and arranging type and spaces

Tools: composing stick, type, rule, spacing material, etc.

What is spacing?

The result of a process of filling non-printing areas to lock the form tight

Tools: leads, slugs, furniture, reglets, quads, etc.

What is type?

The result of a process of carving and casting a letterform at type-height

Tools: punch, matrix, mould, casting pot, or gravers and end-grain wood, etc.

The process of making a book is governed by convention: there's always certain expectations of what a book should look like. Conventions are mutually shared silent agreements on how thing should be, which comes from things that feel so familiar and comfortable to us that any other way would feel hard, heavy, or strange. When it comes to books, familiar forms, what we might call "the rules of typography", "readability" or "beauty" are often presented to us as natural laws. But they're not fixed. What is familiar goes through a constant mutation, shaped by the experiences of lived life, which in turn is shaped by ideas and inventions in toolmaking, changing material conditions, and by the totality of human culture.

The Columbus Sunday Dispatch November 18, 1934, p59

Carleton C. Berry, The house by the sea. Starshaped press: Our House, in the Middle of the Form

W.A. Dwiggins Typographische Mitteilungen, 24.1927 The lathe, for example, makes it easy to produce surfaces of revolution This tool naturally imposes certain easily achievable forms curve drawing

Beyond cubic and quadratic Béziers, there's rational Bézier, higher-degree Bézier, and HyperBezier. The B-spline family includes uniform and non-uniform B-splines, NURBS, and T-splines. Hermite-type interpolating splines include Hermite splines, Ferguson curves, cardinal splines, Catmull-Rom splines (and the centripetal variant), and Kochanek-Bartels / TCB splines. Cubic splines can have various boundary conditions: natural, clamped, not-a-knot, relaxed end, cyclic, and anti-cyclic. Shape-preserving interpolants include Akima splines, Steffen splines, and monotone cubic interpolation. Subdivision approaches include Chaikin curves, Lane-Riesenfeld, four-point subdivision, and Dyn-Levin-Gregory. For curvature-continuous or "fair" curves there are clothoids (Euler spirals / Cornu spirals), elastica, minimum energy curves, minimum variation curves, log-aesthetic curves, Spiro curves, κ-curves, and Pythagorean hodograph curves. Arc-based constructions include biarcs, arc splines, polycentric arcs, and conic splines. Motion planning uses Dubins curves and Reeds-Shepp curves. Type design has its own traditions with Hobby splines, Ikarus curves, and superellipses (Lamé curves). And there are always the general algebraic forms: conic sections, rational quadratics, power basis polynomials, and Coons curves. On top of that, periodic functions like sine, square, sawtooth, and triangle waves, statistical distributions like Gaussian / bell curves and sigmoid curves, and classical named curves like the Witch of Agnesi, lemniscate, cardioid, limaçon, spirals (Archimedean, logarithmic, Fermat), catenaries, cycloids, epicycloids, hypocycloids, Lissajous curves, rhodonea / rose curves, and so on can be combined, stacked and used as effectors to modify the previously mentioned curve representations.

A Class of C2 Interpolating Curves, Cem Yuksel
Tool: Arc Draw (unreleased, work-in-progress) Tool: Arc Draw (unreleased, work-in-progress) Could I be a graphic designer *without* Adobe? Adobe's spiral tool Decaying Affinity's spiral tool Linear Decaying Semi-circular Counter Semi-circular Fibonacci Plotted If we apply the same approach: {844} Questioning {844} what a simple spiral tool could (and should) do to every aspect {1272} convention {1272} assumption of design software ... {3073}{3058}{3051}{3070} {3052}{3055}{3053}{3065}{3063}{3055}{3069} {3066}{3065}{3069}{3069}{3059}{3052}{3062}{3055}{3215}
What is a book? (digital)

A list (of pages)

What is a page?

A list (of boxes)

What is a box?

A coordinate and size (containing content like text or image)

What is text?

A list (of paragraphs)

What is a paragraph?

A list (of text lines)

What is a text line?

A list (of glyph placements)

What is a glyph placement?

A coordinate (referencing a glyph in a font)

What is a font?

A list (of glyphs)

What is a glyph?

A list (of curves)

What is a curve?

A list (of lines)

What is a line?

A list (of points)

What is a point?

A coordinate (on a surface)

What is the point of all of this?

Every step is the result of a process using some tool to design, order and place things inside other things at a certain coordinates, and defining the shapes of those things.

Fred Turner, From counterculture to cyberculture (2006)
Drawing curves + Effects Placing things What is a graphic design tool? A user interface and experience & a collection of algorithms for: https://glyphdrawing.club/ https://hlnet.neocities.org/ascii-automata/ https://hlnet.neocities.org/hershey/
Heikki's huge list of unconventional graphic design tools: https://harvest-secretary-a65.notion.site/text-art-tools